TWO POEMS FOR SCOTLAND
1
Scotland you belong to your painted people, a people that paints itself, a people that paints its own fates. The pictures on the skin of the ancient arms and torso of Scotland are pictures of a naked unimaginable wildness coming before and standing before an unimaginative bureaucracy in a suit.
They picture your interglacial landings and Ice Age axes, your boats of wood and bone, your drystone roundhouses and wheelhouses, your chambered cairns for the dead.
They picture your blue-coloured warriors overspilling the giant walls of Antoninus and Hadrian—a two-hurdle sprint—to take on Empire.
They picture your Alexanders, Constantines, Duncans, kings that fought against a succession of overlords who sought to tax, burn, rape and kill you into submission, an abjectivity without end.
Always from below there have been onslaughts and outrages, incursions and invasions; always from below there have been subterfuges and strategems; always from below a realist lion paws a fairytale unicorn; always from below illegal anglers are angling to hook your sovereignty on their lines.
We the hammered, the repressed, the disenchanted tribes of the neighbouring islands and mainlands who share our weird history and geography with yours, and a thousand years of ill-luck, ask on your behalf for an implacable North Wind to blow back the encroachers and beat off their offices for good.
To free yourself now is easier than removing a tattoo.
2
the day after is the same as the day before
i.e. but for the gutted cores.
thoughts outnumber votes, forming
a Thames-barrier against progress.
a lambeg at the heart of the real
is beating
the mainland is neck-harnessed.
canes thump the skin
to detonate bass decibels
of celebratory warning
complacency wards off the threat
by flexing its own brow.
the balls of the abacus
slide left to right in rows
triumphal thugs hit the streets
to earn red-white-blue stripes
by kicking at a losing side
of citizens as daguerreotypes
over-familiarity
of mind with mind, once strange,
appalls the numb participants.
the media’s South Wind
relents
the eyes of the establishment can see
through optics of x-ray machines
what’s happening at the core
to make the orange bleed.
a lambeg at the heart of the real
is beating
the day after is the same as the day before
i.e. it rises untransformed
to somewhere lit from an opaque
horse guards parade of yesterdays.
a lambeg at the heart of the real
is beating