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Mohamad Zaal Alsalloum

A Million Shrouds

I have no time for hope.
Ideas turn inside my head like a flower,
but there is no spinning.
My letter pierces the distance,
sweeping thoughts away from time.
Do not weep for me, my beloved,
for our mother,
Syria,
has prepared the shrouds for us.
I know your search for me is exhausting.
You will find nothing of me but ash,
if any of it survives in our child’s bottle.
Perhaps…
it will return to the homeland.

The Non-Humans

Get on the bus.
After two days in detention.
Where to?!
To hell.
You know it is hell—why send us there?!
Shut up, you vagrant.
Cuff him well.
Every two people in one pair of cuffs.
They display their pistols,
boast about them:
Made in Turkey.

Do you see?
I can barely hold up my trousers,
and can barely hold the child handcuffed to my hand.
Hours of scenery.
There, behind the glass,
everyone is free.
They enjoy their homeland.
And we—
the non-humans,
perhaps in their eyes.

Because You Have No Homeland

Lahmacun and ayran
Tandoor bread
Pide bread with kaşar cheese
BİM
Yüzbir
Şok
and every supermarket chain
İskender
and every pleasure of food
and the mad hospitality
Hafız Mustafa sweets
lokum and dondurma
in that city
unique, sleeping across two continents
there was astonishment
then love
but…
after all that bliss
they redefined us as strangers
pursuit of every Syrian
then shock
then prison
then an attempt at deportation
only because you are Syrian
so you emerge accused without a charge
and return without papers
without protection
expelled from your rented home
pursued by the judiciary
fear
disappointment
and the madness of racist harm
because you have no homeland

A Sacrifice for Freedom

They drove me all around Istanbul
in their police car
as though I were an animal behind glass
swaggering with my handcuffs, dragging me
and rushing me to a hospital.
A nurse asks me questions in a language I do not understand:
no interpreter, a dialogue of the deaf.
I imagined she was asking: Is something wrong with you?
All I wanted to say
was that I was in shock.
I condemn you with my word,
with my letter,
with my identity,
with every disappointment this world possesses.
And I am driven back
before the public,
in the street,
from behind the glass.
Where to?
To a deportation center,
then another deportation center,
and the smell of death.
The shrouds of Damascus
still fill the nostrils of the watching world.
And I, the nothing,
will not break,
even if they lead me to the guillotine,
a sacrifice for freedom.

 

Mohamad Zaal Alsalloum is a Syrian poet, writer, journalist, translator and researcher based in France. He was born in Damascus in 1979 into a family displaced from the Syrian Golan following its occupation in 1967. He studied French Literature at Damascus University and audiovisual translation, and formerly taught French with UNRWA. He is a member of the Executive Bureau of the Syrian Writers Association in Paris, the Syrian Journalists Association and the International Federation of Journalists. His body of work includes around twenty-five poetry collections, as well as fiction, journalism, translation and research. In 2021, fifteen of his books were published in Istanbul, mainly by Dar Sharafat. His writing explores the Syrian Revolution, exile, memory, displacement, love and survival. His poetry collections include: Al-Hubb wa al-Takwin (Love and Composition) (Dar Baal, Damascus, 2014), Oboa (Dar Baal, Damascus, 2014), Armat Qamh (A Stack of Wheat) (Dar Sharafat, Istanbul, 2021), Al-Khawarij ala al-Hubb (Dar Sharafat, Istanbul, 2021), Wa-Tabqa Dimashq (And Damascus Remains) (Dar Sharafat, Istanbul, 2021), Hanami al-Yasmin (Dar Sharafat, Istanbul, 2021), Havamal (Dar Sharafat, Istanbul, 2021), Al-Nabsh wa al-Hadhayan (Excavation and Delirium) (Dar Sharafat, Istanbul, 2021), and two independently published French editions of his poetry, L’Amour et la Genèse, and Et Damas demeure (both 2025). He has also published a novel, Musharrad al-Bosphorus (The Homeless Man of the Bosphorus) (Dar Sharafat, Istanbul, 2021), and a collection of essays, Wa-Qalat al-Safahat (And the Pages Said) (Dar al-Multaqa, Istanbul, 2020). He has had work appear in Syrian Refugee Literature: Diaspora and Literary Expression (Harmoon Center for Contemporary Studies, 2018). He received the Kawasaki Poetry for Peace Prize in Japan in 2019. His poetry has been presented in Arabic and French at cultural events in Syria, Turkey and France, including a reading in Rennes in 2024.

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