Ken Champion
Cotton Documentary Short: Visuals
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titles, intro and music agreed, commentary under discussion
long-shot London Bridge, morning rush hour; slow zoom
to walkers clothes: shirts, jackets, trousers; dolly up to grey
sky, merge into blue; lock down on white-tinted landscape;
mid-shot of head-scarved women filling baskets, grinning
to camera through mist of candy floss cotton; pan right
to plantation owner’s beaming face, arms paternally spread
shots of females showing bruises from overseers’ sticks redundant
cut to rolling lorries, drivers’ thumbs-up from cab windows
to roadside camera; close-up of auctioneer’s hammer; shot
of clapping bidders; mid-shot of looms, shaking, sifting haze
becoming thread; cut to rollers pressing out cloth; long-shot
of goods trains silhouetted against a tropical sun
grip’s pics of 24 hour-shift drivers asleep at wheel not needed
aerial long-shot (helicopter) of slowly turning container ship;
upward arc of dockside gantry swinging container onto
truck; fade to exterior of shining new factory - CGI - trucks
unloading; cut to interior, young women, hair in buns,
chatting at machines; close-shot of spread fingers
positioning pockets, hems, labels; fade to reverse zoom
of opening shot, but with sunny sky
closing credits as agreed
gaffer’s snaps of needle-pierced fingers
and footage of smiling soldiers at gates pretending to shoot him unwanted
Nike interested in product placement
Ken Champion is an internationally published writer and poet whose work has appeared in literary journals in the US and extensively in magazines and anthologies in the UK. A volume of short stories, Urban Narratives (2013), two novels, The Dramaturgical Metaphor (2014), Keefie (2015) and a collection of poetry, Cameo Metro (2014)
have been published by Penniless Press Publications.
A pamphlet, African Time (2002), chapbook, Cameo Poly (2004) and a first collection, But Black and White Is Better (2008, reprinted 2010) are published by Tall Lighthouse. He is a South Magazine Profiled Poet and a reviewer. A selection of his poems and fiction can be found at The Poetry Library and at www.kenchampion.org.uk. Ken lectures in sociology and lives in London.
Marx In The Park
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He bumps into a bench, jumble of books, papers
under his arms, sits beard on belly, stares at a tree,
found himself in Starbucks an hour ago looking across
to a golden M, people dressed oddly, shouting at things
held to their ears, giving strange money to bargirls,
bitte, wievel kostet, prosze, familiar accents, looks
at a book, frowns, shakes his head, it’s the translation,
No, he didn’t say that, picks up a news-paper, stares
in disbelief at page three, on four a picture of Bush
on his first visit to Asia and somewhere before
Gazza ‘Aza Dazzler two lines that say India
gets a McDonalds - did he not say the state is but
a committee for managing the affairs of the bourgeoisie?
Thinks back to his coffee, gazing out the window,
vehicles flashing past posters my ipod my music
my life smiles, lips shape the words technological
determinism, looks up, pink clad chavs all around him,
aggressive blind eyes, tight pony tails, point at him,
loser, they chant, loser, fuckin’ loser.
thistles stretch their prickly arms afar